Stories in Stone is all about sculptures — either standalone or entire narrative panels. Each post in this series showcase one such sculpture, look beyond its iconography and deconstruct the details in an attempt to understand the idea and/or the story it conveys.
The Government Museum at Jhalawar has a stunning collection of sculptures on display. With a few exceptions, most sculptures are in good condition and easily recognisable for what/who they represent.
One large room/gallery is crammed with sculptures found from the nearby areas of Chandrabhaga, Jhalrapatan, Kakuni, etc.; more sculptures are exhibited in the corridor outside. Knowing how museums function, I’m pretty sure that only a fraction of the Museum’s collection is actually exhibited; there would be many more sculptures in storage.
There are dikpalas (or guardians of the directions), various forms of Shiva, Vishnu, and Devi, and some very interesting composite sculptures. But the sculpture which stood out for me, and is the topic of today’s post, was a poorly preserved, but recognisable sculpture of Chamunda (see photo on the left) placed in the corridor.
Before we get into the details of this sculpture, let us place Chamunda in context through her creation myth, associated stories and standard iconography.
Continue reading “Stories in Stone: The Chamunda of Chandrabhaga”
Stories in Stone is all about sculptures — either standalone or entire narrative panels. Each post in this series will showcase one such sculpture, look beyond its iconography and deconstruct the details in an attempt to understand the idea and/or the story it conveys.
The UNESCO world heritage site of Mahabalipuram or Mamallapuram is extraordinary for the sheer number and variety of monuments, as well as their scale and design. Rock-cut temples, structural temples, relief panels and more vie for attention, each one more captivating than the rest. Though a fair number of the monuments are incomplete or unfinished and weathered, their beauty is not diminished.
The monuments at Mahabalipuram have been the subject of many a study, but none more so than a large relief panel carved on a granite cliff. It is a panel that has led to debates and divisions among art historians over what it depicts or denotes or refers to — Arjuna’s Penance or the Descent of Ganga 
Before I narrate their stories and discuss why the panel could be one or both or maybe neither, let us take a close look at the various elements that make up this panel. A real close look beginning with photograph below (please click on the picture to see a full size version).
Continue reading “Stories in Stone: Arjuna’s penance or descent of the Ganga?”