The Jain Temples of Rajasthan: Bhandasar, Jaisalmer, Lodhrava & Ranakpur

The painted ceiling at the kaner, Rajasthan, Travel
The painted ceiling at Bhandasar Temple, Bikaner

“Look at the ceiling and see the beautiful gold leaf work,” the priest-cum-guide at the Jain Temple urges our group.

Everyone obediently looks up at the ceiling appreciatively. Some of them, including yours truly, try to see the finer details of the paintings on the ceiling by zooming their camera lens on it.

“What are the images depicted on the ceiling all about?” I ask.

“Those are our Jain stories,” says the priest-cum-guide.

“What do they say?”

The priest-cum-guide smiles, “Madam, you will not find them interesting. You look at the beautiful frescoes and painted pillars and take beautiful pictures.”

Bhandasar Jain Temple, Bikaner
Painted pillars at the Bhandasar Jain Temple, Bikaner

“But how will I know what I’m looking at if I cannot understand what I’m seeing?” I protest.

“You are a non-Jain and these stories are not important for you. Admiring the beauty of the temple is more than sufficient for you,” calmly responds the priest-cum-guide.

I am rendered speechless with indignation and outrage at this statement. And as I discover during the course of my Rajasthan trip in February this year, it is only the beginning. I have conversations like this at all the Jain temples I visit. There are slight degrees of variations, but all visits go something like this: I am warmly welcomed in (for a fee, of course), have the history of the temple narrated to me, urged to look around and take photographs (except of the sanctum sanctorum), have a tikka applied… But the moment I ask details as to what the art and symbolism of the icons and sculptures mean, there would be these very indulgent and polite refusals to elaborate.

Absence of any kind of literature or accompanying audio guide at the temples only added to the general frustration. While I can say that I have visited certain Jain temples in Rajasthan and know the history associated with it, I have no clue as to what I really saw or know the story behind what I saw.

To write this post, I have tried to recollect what I saw, read the notes I had scribbled, and went through the photographs I had taken. The result is a blogpost that is part rant, part sketchy information, part photo essay, and part observation of some of the Jain temples I visited in Rajasthan: Bhandasar Temple (Bikaner), Parsvanath Temple (Jaisalmer), Parsvanath Temple (Lodhrava or Lodarva or Lodrava), and Ranakpur Temple.

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The creepy & beautiful cenotaphs of Rajasthan

It is an hour to sunset when I arrive at Devi Kund Sagar in Bikaner that February evening. I have just arrived from Mumbai earlier that day and this is one of the first sites I am visiting in Bikaner. Never having seen cenotaphs for Hindus before, I am very curious and intrigued about this visit and am not sure what to expect when I walk into the complex. (I didn’t know then that Devi Kund Sagar is only the first of the many Hindu cenotaphs I will be seeing during the course of my Rajasthan trip).

Located about 8 km from Bikaner, Devi Kund Sagar has been the cremation ground for the royal family of Bikaner and generations of kings, queens, princes and princesses of Bikaner have a memorial to their names here. According to the information board at the entrance to the complex, the oldest cenotaph at the Devi Kund Sagar is that of Rao Kalyanmal Ji (1539-1571 AD).

Rows upon rows of pillared and open-sided domed cenotaphs are spread out before me when I enter the L-shaped enclosure after removing my footwear. The place is empty, save for the caretaker and a couple of children playing hide and seek between the various structures. The base of each of these domed and pillared structure is mostly square, and sometimes hexagonal or rectangular. Locally, the cenotaphs are called chhatris due to the domes, which look like umbrellas (chhatris).

Cenotaphs, chattris, Rajasthan, Hindu
Cenotaphs at Devi Kund Sagar, Bikaner

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Photostory: A red-canopied welcome

“I think someone important is coming.”

“Do you think it is SRK?”

“No, it must be the Maharaja himself.”

“I’m telling you it must be some firang (foreigner).”

I can’t help overhearing this excited chatter and squeals of anticipation as I step out of the Museum of the Umaid Bhawan Palace, Jodhpur. A group of 20 somethings is standing to one side and craning their necks over a barricade to see something that I cannot. I am intrigued and join them as do some other tourists. And soon we are looking at the entrance to the Umaid Bhawan Palace Hotel, which was abuzz with some activity. What happened next is not really an unusual sight in a 5-star hotel, but as a tourist in a touristy place, I couldn’t help be one myself. 😀

A bright red silken canopy is being unfurled and readied.Who is the visitor, I wonder? So do others and the guesses are flowing fast and thick.

Umaid Bhavan Palace Hotel, Jodhpur

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