Stories in Stone is all about sculptures — either standalone or entire narrative panels. Each post in this series showcase one such sculpture, look beyond its iconography and deconstruct the details in an attempt to understand the idea and/or the story it conveys.
The Government Museum at Jhalawar has a stunning collection of sculptures on display. With a few exceptions, most sculptures are in good condition and easily recognisable for what/who they represent.
One large room/gallery is crammed with sculptures found from the nearby areas of Chandrabhaga, Jhalrapatan, Kakuni, etc.; more sculptures are exhibited in the corridor outside. Knowing how museums function, I’m pretty sure that only a fraction of the Museum’s collection is actually exhibited; there would be many more sculptures in storage.
There are dikpalas (or guardians of the directions), various forms of Shiva, Vishnu, and Devi, and some very interesting composite sculptures. But the sculpture which stood out for me, and is the topic of today’s post, was a poorly preserved, but recognisable sculpture of Chamunda (see photo on the left) placed in the corridor.
Before we get into the details of this sculpture, let us place Chamunda in context through her creation myth, associated stories and standard iconography.