When we arrived at the Rao Madho Singh Trust Museum in Kota on that November morning last year, I was taken aback to see the freshly whitewashed exteriors of the Museum building. I mean, why would a red sandstone structure be whitewashed over? The white is so blinding in the mid-morning sunlight that I had to shade my eyes to even look at it.
The Museum is located within the historic Kota City Palace or Kota Garh complex, which consists of many buildings, but none of the other buildings in the palace complex were whitewashed. In fact, the building next to the Museum has been spared the whitewash (except for the domes) and I was able to admire the intricate stone jaalis or lattice-work that covered the entire structure.
The building with the jaalis, however, was not open to the public, making me wonder if the whitewash was for the benefit of the visitors to the Museum, who (according to the website) visit it see its
rich collections of arms and armour, royal regalia and ritual paraphernalia, textiles and objets d’art, and world-famous miniature paintings and wall frescos.
As our group was entering the Museum, there was a moment of panic where I wondered if the interiors of the Museum have been whitewashed over as well, obliterating the wall paintings that I was most keen to see. But then just past the Elephant Gate (see header), I looked up and saw a gloriously painted ceiling (see photograph below) and I knew that all was well.