Museum Treasure: The Bhu-Varaha at CSMVS sculpture gallery

The sculpture gallery of the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) has many treasures within, with some of them being more impressive than the others. One of the “quieter” sculptures is that of a 10th century Varaha from Karnataka.

On my visits to the sculpture gallery, I would give this sculpture — which is about 3.5 feet in height and about 2 feet in width — only a cursory glance, passing it over for other exhibits. It was not until I had to write an assignment as part of my Indian Aesthetics course at Jnanapravaha, where I had to choose one of the sculptures in the gallery that I had my first good look at the Varaha.

And regretted not having paid attention to it before, so rich were the details and the iconography. At the end of my detailed tour of the sculpture gallery, there was no doubt which sculpture I would be writing about. 🙂

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Mahisasuramardini: The slayer of the buffalo demon

Today is Vijaya Dashami or Bijoya. Today is the day when the Goddess Durga defeated Mahisasura or the buffalo demon, after a fierce battle that lasted 9 days and 9 nights. After killing him on the 10th day, Durga came to known as Mahisasuramardini or “she who killed the buffalo demon”.

Durga, Mahisasuramardini, Hindu Mythology, Indian Art, Indian AestheticsThe story of Mahisasuramardini (which you can read here or here) is perhaps one of the best known in Hindu mythology, and its associated imagery is one of the most recognisable.

I was introduced to the story of Mahisasuramardini by my grandmothers, and also my mother’s recitation of the Mahisasuramardini Stotram. Like most children of the 1970s, I was introduced to the popular imagery of Mahisasuramardini through Amar Chitra Katha’s “Tales of Durga” (see picture on the left).

It was this image of Mahisasuramardini that stayed with me till 1997 when I visited Mahabalipuram. I saw Indian sculptural art in a ‘natural’ setting for the first time, including this depiction of Mahisasuramardini. That was when I realised the immensity, beauty and power of the narratives I had heard and read from the time I was a kid.

That visit also marked the beginning of my interest in Hindu mythology expanding to include its representation in classical Indian art. And Mahisasuramardini fascinated me like no other, which, thanks to my travels in India, I came across in Aihole, Ellora, Patan, Vadnagar and Nalla Sopara. Artiistically and stylistically, each one of the relief sculptures were very different, and yet unmistakably that of Mahisasuramardini.

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Travel Shot: The sculpture with a smile

I came across a very unusual and rare sculpture at the sculpture gallery of the City Palace in Udaipur last February. It was a sculpture of a woman with a smile. What’s so rare about a sculpture with a smile, some of you may ask. Then let me tell you this:

I had seen many types of sculptures — abstract, life-like, larger-than-life, surreal…

I had seen sculptures made from a variety of materials — stone, wood, metal, mesh, ivory, silver, bronze, papier-mache…

I had seen sculptures seen in stylised poses — at dance, at war, making love, in thought, in action…

I had seen sculptures with expressions of anger, agony, pain, peace, serenity and sometimes even with blank expressions, but never a smile. Each time, I left a museum or a gallery or a site where there were sculptures, I would always wonder why. Until I saw this sculpture.

City Palace Museum, Udaipur
The sculpted smile

It was a beautiful sculpture. In spite of the damage to the face, I could not miss the lips turned up in a smile. I’m sure that if the eyes were clearly visible, there would have been a naughty twinkle in them. I promptly named her Muskaan, the one with a smile so infectious that I smiled back at her in return. Did you also smile when you saw Muskaan, dear reader?

I hope that in 2014 I see many more smiles around me — on sculptures and on people and on my blog too.

Happy New Year ! 😀

Museum Treasure: The bearded Rama

It is quite fascinating how popular culture, iconography and art shape, influence and reiterate perception, both consciously and unconsciously. Anything that is different from the familiar is either missed or dismissed as a gimmick. In rare cases, it opens up a whole new world and triggers off a new understanding. Something like this happened in February when I visited the Jaisalmer Fort Palace Museum at the Jaisalmer Fort, where I was forced to acknowledge that I was not immune to internalising popular perception.

I was at the sculpture gallery at the Museum and idly registering apsaras or dancing girls, a Saraswati, a carved panel, and a bearded figure with a bow. Though the pose of the figure appeared relaxed, it’s expression said otherwise—fierce eyes, and a grim and stern countenance seemed to radiate tension. While, the arrow in the figure’s hands and the bow slung on it’s back suggested a brave warrior, the elaborate crown and extended ear lobes from heavy earrings suggested a that this was, perhaps, the figure of a king.

Bearded Rama, Sculpture, Jaisalmer Fort Palace Museum, Travel, Jaisalmer, Rajasthan

So who was it, I asked myself. When I saw the information board for this sculpture, I almost dropped my camera !

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