It was around noon when our blogger group we reached Khaba Village near Jaisalmer city after a morning spent exploring the Thar as part of the Desert Exploration Trail organised by our hosts Suryagarh. The sight of cool drinks and light refreshments laid out for us at the village was a welcome sight in the heat.
I picked up some juice and walked over to explore what looked like an old temple nearby. It seemed to be an ordinary looking temple and not in use. At least that is what it seemed like until I peeked into the garbha griha of the temple where I saw the strangest-looking shiva lingam I have ever seen — one with its innards spilling out !
The shiva lingam appeared to have been fashioned out of mud and hay, covered with some kind of a plaster or clay layer and then painted over to give the finishing touches of a lingam. It may have looked like the real thing when ‘freshly made’, but looked like something out of a horror show then.
The ‘what’, how’, ‘where’, etc. of the strange lingam would have remained a mystery, if not for the Suryagarh staff who told me how this came to be.
Around this time last year, I visited Lohargal in the Shekhawati region of Rajasthan in search of a stepwell. I found the stepwell or Chetan Das ki Baoli, And along the way also stumbled upon a temple dedicated to the Pandavas, with a very interesting story attached to it.
The Pandava temple (shrine would actually be a more appropriate word) is on one side of the narrow pathway that leads to the main and ancient temple, dedicated to the sun. I would not have given this shrine, whose walls are covered with subway tiles, a second look if the priest hadn’t called out to me and told me to stop. I did out of politeness and was glad that I did for I had never seen or heard of a Pandava temple in worship till then.
My parents and I visited the Brihadeeswara Temple in Thanjavur, in December 2005. We couldn’t have chosen a worse time as it was raining heavily and there a flood alert as well. The upside was this had deterred a lot of tourists and we arrived to a practically deserted temple at around 8.30 in the morning. Needless to say, I was delighted at the lack of people around.
A UNESCO World Heritage Site, the Brihadeeshwara Temple Complex is very well maintained and remains, to this day, one of the most beautiful and cleanest temples that I have seen. The temple, which celebrated in 1000th anniversary earlier this year, is huge and yet, very compact and intimate.
I took many photographs of the Temple, but the one featured here is my favourite as the wet temple ground as well as the perspective add a mysterious depth to this magnificent temple. Don’t you think so?
I am an occassional, rather than a regular, temple-goer. And when I do go to one, it is to the Sharadamba Temple in Chembur, Mumbai. I like this particular temple because it is quiet, peaceful, and most importantly, very clean—it is a pleasure to walk on the cool granite floors. Another reason I go to this temple is because it is never crowded, except on festival days like Navratri and Mahashivratri, and even then it is never unbearably so.
The Sharadamba Temple is one large hall with the entrance at one end and the Sharadamba deity at the other end. A simple wooden barrier separates the devotees from the sanctum sanctorum. Like in most temples, the men flock on one side of the hall and the women on the other side, though there is no physical barrier to separate the two sexes. The children, of course, keep running between the two sides.
Over the years that I have been going to this temple, I have noticed something very curious at this temple. After the aarti is over, the priest always offers it to the assembled men first, in particular the office bearers/trustees of the temple. Only then does the aarti thali come around to the women’s side. This is the case with the teertham (holy water), the prasad, as well as the flowers.
The Banashankari Temple site has been a place of worship for about 14 centuries or so, though the current temple building is only about 200 years old. The temple’s name is derived from its location in the Tilakaranya forest. The main deity, Banashankari is also known as Shakambari or the vegetable goddess. Banashankari was the kuldevata or the tutelary deity for the Chalukya kings of the 7th century.