The havelis of Jaisalmer

Sometimes words are not enough to describe experiences; seeing Jaisalmer’s famous havelis (mansions) was one such experience. It was one of those moments when time just seemed to freeze, and only the mesmerising sight before you is in focus. Imagination takes over in an instant and one just gets transported to times gone by.

Of a time when artists and their art was nurtured and treasured and patronised.

Of a time when artists went unknown and the owners became famous through the very art of building such structures.

And of more recent times when modern tourists must have seen these havelis and gasped with delight at the work. Just as I did and just as I know others will when they see the havelis for the first time.

An abandoned Haveli in Jaisalmer
An abandoned Haveli in Jaisalmer

While I saw most of the havelis from the outside in passing, I did spend some time at the Patwon ki Haveli and the Nathmal Diwan Haveli in Jaisalmer. Both these havelis were so grand that at my first sight of them, I think just forgot to breathe.

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Three minutes with Demoiselle Cranes at Khichan

Our story begins on a warm, sunny day in late February this year.

A tourist bus turns off from the Bikaner – Jaisalmer highway at Phalodi and rattles its way towards a village called Khichan. As the bus passes a sign announcing that Khichan was just a kilometer away, excitement mounts. Sunglasses are readied as are cameras and binoculars. Soon the group will be seeing what they have come to Khichan for — to see the Demoiselle Cranes, which migrate here to escape the harsh winters of Eastern Europe.

Everybody in the group is a birding enthusiast. Everybody, but one person who is frankly quite bored with all the bird talk going around and trying to be as indifferent as possible to the contagious and palpable excitement filling the bus. That person is me.

As soon as the bus stops, the group tumbles out looking all around them. “Where are the birds? Where are the birds?” they demand. A local, who is passing by points vaguely and mutters “across that rise” at which the group sets off purposefully in that direction. I trail behind the group, dragging my feet and looking disinterestedly around me.

As the first of the group crests the rise, sounds of “Ooh ! Look at them, there they are”, floats back to me. My steps quicken of their own accord and in a minute I am over the rise myself and get my first glimpse of the Demoiselle Cranes. And stop in my tracks so suddenly that I almost slide all the way down to level ground.

The sight of so many live birds outside of a TV screen or a photograph is a sight that I am never going to forget for as long as I live.

Demoiselle Cranes 1

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