The two Azhagar Kovils of Madurai

Madurai is home to a number of sacred sites whose origins have now passed into the land of myth and legends. The original temple structures built on the sacred sites no longer exist today for over the centuries, they have been added to or rebuilt or renovated to become the temple complexes they are today. Along the way their myths, legends and history have intertwined to create a tradition of rituals and festivals that continue to present day.

The Kallazhagar and Koodal Azhagar Kovils are two such temples in Madurai. Both are Vishnu temples and are part of the 108 divya desams or divya kshetrams — temples mentioned by the Alvars or the poet-saints of the Srivaishnava tradition. The main deities in both the temples are called Azhagar, which means beautiful / handsome in Tamil. Both the Azhagar Kovils have their own unique origin story or sthalapuranam, and are significant in understanding the region’s political history, religious traditions, and architectural landscape.

Let us first begin with an exploration of the KALLAZHAGAR KOVIL.

Madural, Alagar Kovil, Kallazhagar, Vishnu Temple, Vaishnava tradition, Tamil Nadu, Temples of Tamil Nadu, Travel
The Kallazhagar Kovil and its setting in the lush green Azhagar Malai in the background

Strictly speaking, the Kallazhagar Kovil is not in Madurai, but is located about 20 km North of the city at the foothills of the lush Azhagar Malai (beautiful hill in Tamil). Our group visited this temple on a beautiful January morning in 2016 and the picturesque location, pleasant weather, few visitors and listening to the stories, myths, legends and music associated with Kallazhagar made for a memorable trip.

Kallazhagar finds mention in the Varaha Purana, Vishnu Purana, the Thiruppugazh, Silapadikaram, the writings of the Alvars, etc, and has many legends associated with it. This includes one of the Pandavas having visited it and another of Lord Yama visiting the temple every night to pray to Kallazhagar. The Meenakshi Amman Temple in Madurai has a connection with Kallazhagar where, according to legend, it is Azhagar as Vishnu, Meenakshi’s brother, who hands her over in marriage to Shiva as Sundareshwarar.

Madural, Alagar Kovil, Kallazhagar, Vishnu Temple, Vaishnava tradition, Tamil Nadu, Temples of Tamil Nadu, TravelThere are two versions regarding the origin of the name Kallazhagar. According to the first, the area used to be inhabited by the Kallar tribe and there was a temple dedicated to their deity on the site where the present temple is. Sometime in the distant past, the tribal deity got assimilated into the Vaishnava pantheon and became Perumal or Vishnu Himself. Since He was so beautiful, He was called Azhagar Swami and over time came to be called Kallazhagar.

The second version is more straightforward. It says that because Azhagar is so beautiful, he steals the hearts of His devotees and is, therefore, a kallar or a thief !

The earliest temple recorded on this site is supposed to have been built in the 3rd century CE, but since then has been rebuilt, renovated and repaired many times since then.  Azhagar Kovil has always been important for the rulers of Madurai and has, therefore, received generous patronage from them.

Pandyan kings like Malayadhwaja renovated the temple and built the entrance gopuram, while Sundara Pandian covered the temple vimana with gold. Thirumalai Nayak, Madurai’s best known king, built a mandapam or opposite the entrance to the temple complex. The Kalyana Mandapam, opposite the entrance to the main temple, was also built during the Nayaka rule. Krishnadevaraya, the Vijayanagara King, tried to contribute to the temple by attempting to build a temple tower, but his death and eventual takeover of the region by the Nayakas, left the tower unfinished. Today, the ruins of the incomplete tower still stands, lonely and neglected.

A selection of photographs from the Kallazhagar Kovil. Please click on any of the photographs to enlarge it. You can then use the arrow keys to navigate and see the rest of the photos. Do come back to read the rest of the post, for I’m not done yet !

While I enjoyed listening to the different legends and history of the Kallazhagar, the temple really came alive for me when Sriram, our group leader, told us about the Alvars and their association with the Kovil, especially Andal. When Andal had set out from Srivilliputhur to Srirangam to marry Sri Ranganatha, the presiding deity there, she made a halt at the Kallazhagar Kovil and promised Him 100 pots of butter (vennai) and 100 pots of sweet rice (akkaravadasil) if her wish got fulfilled.

Nuru tadavil vennai vaynerndu paravivaitten
Nuru tadanirainda akkaravadisil sonnen…

But Andal couldn’t keep up her promise as she merged with Sri Ranganatha when she arrived at Srirangam. Centuries later, the Vaishnava saint Sri Ramanuja fulfilled her promise by offering the 100 pots of butter and sweet rice at the Kallazhagar Temple.

Hearing the story was one thing, but to have Bharat Sundar, the musician travelling with our group, actually sing Andal’s verses describing this episode at the Kallazhagar Kovil elevated the experience to a completely different level. Even as I type out this passage, I can hear Andal promising/bribing Kallazhagar with butter and sweet rice. This remains one of the most enduring memories for the trip and an experience I will cherish for ever.

Madural Alagar Kovil Kallazhagar, Vishnu Temple, Vaishnava tradition, Tamil Nadu, Temples of Tamil Nadu, Travel
Our group at the Kalyana Mandapam of the Kallazagar Kovil listening to Bharat Sundar sing

The visit to the KOODAL AZHAGAR KOVIL took place on the same evening that we visited the other Azhagar Kovil. Located a short distance from the Meenakshi Amman Temple, the Koodal Azhagar Kovil is considered to be Madurai’s main Vishnu temple. The name of the temple is derived from Koodal, another name for ancient Madurai, and Azhagar, which means beautiful in Tamil.

According to legend, the architect of the Gods, Vishwakarma, himself built the first temple on this scared site. The current temple structure was built during the 16th and 17th centuries CE, replacing an earlier 9th century CE structure, probably built by the Pandyas.

Madural, Alagar Kovil, Koodal Azhagar, Perumal, Vishnu Temple, Vaishnava tradition, Tamil Nadu, Temples of Tamil Nadu, Travel
The Koodal Azhagar entrance gopuram viewed from the second level of the Vimana

Scholars of architecture opine that the Koodal Azhagar Temple is very important in understanding the development of temple architecture in the region due to the period they were built in —mid-16th to the early 18th century, when the Nayakas reigned in Madurai. This was one of the most active periods of temple construction, in what is today known as Tamil Nadu, with substantial expansion of existing temples as well as foundations for new temples being laid.

It is not only temples that were built during this period, but also palaces and city planning too — the current city of Madurai was laid out at that time. This period is also significant as Madurai became a political power centre once again after about 50 years of Muslim rule.

An unusual feature of the Koodal Azhagar Temple is that its central Vimana is as tall as the entrance gopuram at 125 ft, and can be seen from the road. This is unlike the Meenakshi Temple, also built by the Nayakas, where the size of the gopurams decrease inwards with the central vimanas being the smallest and not visible from outside the temple complex.

Another unusual feature (for me) is that the garbha griha of Koodal Azhagar is 3-storeyed, with all levels accessible to the public. In the lowest level, Koodal Azhagar is seated with Sridevi and Bhudevi on either side; in the second level he is a 3 m tall standing idol; and in the 3rd and uppermost level, he is in a reclining position. All three garbha grihas have murals painted on them, probably at a later date — maybe 18th-19th centuries.

Madural, Alagar Kovil, Koodal Azhagar, Perumal, Vishnu Temple, Vaishnava tradition, Tamil Nadu, Temples of Tamil Nadu, Travel
The entrance to the second and third levels of the garbha griha of the Koodal Azhagar Temple
Madural, Alagar Kovil, Koodal Azhagar, Perumal, Vishnu Temple, Vaishnava tradition, Tamil Nadu, Temples of Tamil Nadu, Travel
Detail from the Vimana shows a stucco figure of Varaha seated with Bhudevi

Used to the familiar profusion of sculptures on the exterior walls of the temples, I was rather surprised to find plain walls and niches without any sculptures in them. Instead the ardhamandapa had paintings in the niches, which were probably done at a later date. Maybe the sculptures were never completed and installed or may be the niches were meant to be painted, rather than filled with sculptures.

Madural, Alagar Kovil, Koodal Azhagar, Perumal, Vishnu Temple, Vaishnava tradition, Tamil Nadu, Temples of Tamil Nadu, Travel
Brahma paited in the niche on the ardhamandapa’s north wall of the Koodal Azhagar Kovil

A selection of photographs from the Koodal Azhagar Kovil. Please click on any of the photographs to enlarge it. You can then use the arrow keys to navigate and see the rest of the photos. Do come back to read the rest of the post, for I’m not done yet !

The trip to Madurai happened almost a year ago, and it was a trip that I thoroughly enjoyed. Writing about it after so many months has been an opportunity to relive those fabulous 3 days at Madurai and reminisce about many of the memories I cherish from that trip.

The Madurai trip was also one where I ended up thinking of and philosophising about beauty. About the beautiful idols and images worshiped in the temples, the grand and beautiful Nayaka sculptures, as well as the stunningly beautiful architecture and stucco work on the gopurams or gateways of the temples, among others.

But my thoughts on beauty was mostly about how the principal deities and/or their consorts in the temples I visited have names that mean or connote ‘beautiful / handsome’. For example, the consort of Meenakshi Amman is Sundareshwarar or “the beautiful (sundar) God (eshwar)”. The consort of Kallazhagar is Sundaravalli (again ‘sundar’ or beautiful in the name). The Utsavamurti of Kallazhagar is known as Sundararajan (or King of Beauty or Beautiful King). And of course there are the Azhagars of both Kovils themselves.

There is a pattern or a theme that I can see with emphasis on the word ‘Sundar/Azhagar’ or beautiful. I haven’t travelled as much, not do I know much about local temple history in other regions, but I think that this emphasis on beauty/beautiful in the names of deities in a small region is unusual.

Is it a subtle tussle for supremacy between the Saivaites and Vaishnavites?
Is it a coincidence?
Is it a reflection of the beautiful land they are located in?
Is the reason something else altogether?
Am I thinking and philosophising about beauty a bit too much?

What do you think?

PS: The best part of travel is the thoughts and directions it sends you off on and that too in the most unlikely direction ! In this case, beauty. 🙂


Disclaimer: I was part of a Chennai Pastforward group led by V. Sriram, that toured and explored Madurai. This was NOT a free, sponsored or discounted trip, and I paid the full fees.


Madurai Series:
MS Subbulakshmi’s House | The Meenakshi Amman Kovil | Memories of Madurai: A photo essay | The two Azhagar Kovils | Pathu Thoon or the 10 Pillars | The palace that Thirumalai Nayak built | Tyagaraja’s tambura |


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15 thoughts on “The two Azhagar Kovils of Madurai

  1. Adding these locations on my must visit list. The Koodal Azhagar temple with 3 storeyed garbha griha sounds so interesting. Can’t wait to get there now.

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    1. I loved both the Kallazhagar and the Koodal Azhagar Temple, Lata. The three garbha grihas in the latter temple were certainly unusual, but I was most fascinated by the paintings and the wooden vahanas used for processions. The Kallazhagar is pure love; don’t miss the details of stucco work on the entrance gopuram.

      Liked by 1 person

    1. That’s what travel is all about for me ! The thoughts and trails that it sets me off on, which in turn lead me to travel destinations that were never on my radar and so on.

      Where did your thoughts travel to?

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  2. Absolutely fascinating post with mesmerizing pictures. I just cannot get over the fact as to how did the artists climb such heights to do such detailed art work; they certainly did not have advanced protective gear at that time. Just a sobering thought – I wonder how many were injured/maimed/lost their lives. All I can say is that the artists were the true devotees.

    Liked by 1 person

    1. Neena, I don’t think we have advanced protective gear in India even today. That is an even more sobering thought for me. 😦

      I think the same system of building a bamboo scaffolding would have been the practice in the past. And the artists, besides being devotees, would also have been very agile and good climbers!

      Like

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