Something new, something old: Jaisalmer revisited

The vista is quite dramatic.

The ochre yellow of the desert stretches out in all directions for as far my eye can see, dotted here and there with green vegetation. At first glance, the green appears random, but then one can trace lines and curves and clusters of green, marking places where there must be water channels and water bodies which fill up when it rains.

The fast-moving clouds in the sky cast large, moving and constantly shifting shadows on the desert floor and leave me mesmerised. I am torn between watching the shadow play on the ground and the hide-and-seek game that the clouds and blue sky are up to.

In the distance are some windmills and further still, some 70 odd kilometres away, lies the border with Pakistan. I know it’s silly, but I stand on tip toes almost expecting to see the border. A harsh caw breaks into my thoughts and I turn around to see a large raven regarding me with, what I think, is a mocking look at my action.

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The Suryagarh experience

It has been a long, but relaxing, drive from Jodhpur and we have just crossed Jaisalmer city. Suryagarh, my destination, is still a few kilometres away when the cab I am travelling in stops suddenly.

As I look around for the reason for the sudden halt, Partap Singh, the cab driver, announces grandly, “And here, madam, is your escort service,” indicating two turbaned men approaching our vehicle.

“My what?” I ask with some trepidation.

“Your escorts from Suryagarh. They will be leading the way to the hotel in an advance vehicle.”

The men approach my window and bow low with folded hands and say a warm Khamma Ghani, the traditional greeting in Rajasthan. I roll down the window and squeak out a Ghani Khamma in return with a answering smile and hope that my embarrassment at their unexpected “escort service” does not show too much.

Suryagarh, Rajasthan, Luxury Hotel, Boutique Hotel, Monsoon Magic

Suryagarh, Rajasthan, Luxury Hotel, Boutique Hotel, Monsoon Magic

The men, with their flaming saffron turbans, get into an open jeep and lead the way and within minutes the fort-like Suryagarh is visible in the distance. Rising imposingly from the flat desert landscape, it looks like the very desert has sprouted the hotel.

I almost expect my escorts to toot a horn or a blow a trumpet announcing my arrival, but thankfully they do nothing of that sort ! At Suryagarh, I am welcomed with more warm smiles, musicians singing Padharo mharo desh, a shower of rose petals, chandan ka tikka, watermelon juice… and am shown to my room in a matter of minutes.

The Suryagarh experience has begun… 🙂

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Jaisalmer… once more

“You are going to Jaisalmer for a weekend? To experience monsoons there?” asks my brother, his bemusement loud and clear over phone.

“Yes,” I reply.

“Last I knew, Jaisalmer was a desert and it doesn’t rain there,” he says. “Has climate change brought about rains there?”

“Very funny,” I retort.

“But seriously, people come to Mumbai, your city, to experience the rains, and you want to experience monsoons elsewhere ?

“It will be nice to experience the rains elsewhere for a change.”

“It has to rain in the first place ! Besides, weren’t you in Jaisalmer just 5 months back? Why do you want to go back so soon?” my brother persists.

I had asked myself these questions when I received an invitation from Suryagarh in Jaisalmer to host me and experience the magic of monsoons in the desert. A luxury boutique hotel, Suryagarh wished to showcase “a representation of a unique way of life, carefully preserving the traditions of…[the] past [and] framing them in a modern idiom”. The invitation also invited me to “celebrate the exuberance of Monsoons with us… [where] Jaisalmer transforms its barren beauty into inimitable patches of green pastures, lush oasis brimming with water and newness in all forms of life”.

I was tempted. Very tempted to say yes immediately, particularly as this was an invitation for a visit over a weekend which meant that this wouldn’t interfere with my office work. But I wasn’t sure if I wanted to go back to Jaisalmer, a place I had visited earlier in February this year and had come back with mixed feelings. While I had loved the old world charm of the Jaisalmer Fort, its havelis, wall art and Jain temples, I found it hard to ignore the unimaginable filth all over the city and or the overwhelming sadness and grief that I felt when I visited the royal cenotaphs. But then, another part of me (the one that wanted me to accept the invitation) said that this was the chance to see the many places that I had missed out on seeing and of course experience the rains in a different setting and context.

I rarely say no to an opportunity to travel, but this was a difficult choice to make. So, I decided to take the help of good old Google and get some information on Suryagarh which would (hopefuuly) help me decide on whether this invitation was worth it or not.

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The unique wall art of Jaisalmer

All guidebooks and people who have visited Jaisalmer rave about its beautiful golden fort, the grand havelis, camel rides, sunset among the dunes, its Jain temples, cenotaphs, etc. But none (at least I haven’t come across any) talk about the unique wall art of Jaisalmer. When I saw the first one (see photo below), my reaction was one of horror: how could something like this be painted on the walls of an old haveli?

1-P1030192 Then I saw more of these and then some more. In fact, almost every house in Jaisalmer has such announcements painted near the entrance. The announcements are of weddings, upanayan ceremonies, housewarming ceremonies… And realised that this is a custom, a tradition in Jaisalmer and one that is unique to this city, as its residents kept telling me. Almost all these “announcements” have auspicious symbols accompanying it like the kalash, the swastika, and Ganpati.

A small selection of Jaisalmer’s wall art in Jaisalmer is presented below:

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Forts of Rajasthan – 5: Chittorgarh Fort

It’s a hot and dusty day in February and the mid-day sun is relentless as is the perspiration that trickles down my back. And yet, I feel cold and shiver as if some one has walked over my grave.

I am at Chittorgarh Fort, the erstwhile capital of Mewar, and at the site that was once the cremation ground for members of the royal family. The site is also known as the Mahasati Sthal as this is where widowed queens would commit sati. According to the guide, from the vast quantities of ash found at this site, this is also where at least one of the three jauhars — ritualistic mass suicide through immolation committed by women and their young children in the face of certain defeat to Muslim invaders — that Chittorgarh Fort has witnessed happened.

Chittorgarh Fort, Mewar, Travel, Rajasthan, Forts of Rajasthan, UNESCO World Heritage Site
The high raised platform in the background is where sati used to take place and when jauhar took place at this site, the entire ground turned into one vast burning pyre

Death before dishonour is a code that all Rajputs — men and women — lived by. While for men this meant dying in battle; for women, this translated into jauhar instead of being captured by the Muslim invaders. Available literature and ballads say that as the jauhar ritual began, the men would dress up in saffron clothes and ride out to fight their final battle and into certain death.

I feel an immense degree of sadness mixed with revulsion as I listen to the guide describing the jauhars. Though my eyes close automatically as if to keep out the horror, my mind conjures of images of this description and devastation. I try to recollect my day at the Fort in an attempt to divert my mind.

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The City Palace of Udaipur

My first visit to the City Palace at Udaipur did not go very well.

I had gone buy tickets for the evening sound and light show at the Palace, only to be told that the show had been cancelled. I was surprised as there was no information posted about this on the board outside the ticket office. When I asked for the reason behind the cancellation, the ticket clerk mumbled something like “a function in the palace”. And when I asked as to why there was no advance information put out, he wouldn’t even look at me. When I asked if the sound and light show would be on the next day, he only gave a non-committal shrug, which could have meant anything. I had to be satisfied with that and leave disappointed.

My second visit was different.

I was back at the City Palace next day morning, this time to explore the areas accessible to a visitor. So, once I had paid for the entrance fee, the museum fee, the camera fee, and the audio guide fee and collected the various tokens, I set off for the palace complex with the hope that this visit would at least take away some of the disappointment of the previous evening.

City Palace, Udaipur, Rajasthan, Travel
View of the City Palace from Jagmandir Palace

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