Rudra Mahalaya Temple, Shiva Temple, Sidhpur, Siddhraj Jaisinh, 12th Century, Gujarat

The Rudra Mahalaya Temple at Sidhpur

The gates to the Rudra Mahalaya Temple at Sidhpur are locked when I arrive just before 6 pm that December evening in 2014. Surrounded by modern-day residential houses, the centuries-old temple is deserted and looks like it is holding out against a seige.The twilight makes the temple, which is maintained by the Archaeological Survey of India, look lifeless as well. As I’m wondering what to do, a passerby stops to say, “Call out for the watchman. He’ll come and open the gate.”

I call out for the watchman and the driver of the auto-rickshaw I have hired also adds to my calls. Soon, I can see someone coming out of the temple and walking towards us.

‘Yes?”, he asks.

“I want to see the temple,” I say, prepared to argue it out with him if he says something about closing times or anything else.

“Okay,” he says simply, pulling out a key bunch and deflating my ready arguments immediately. “Put your camera away. No photography allowed here.”

“Why not?” I ask, getting ready to argue again.

“Rules,” is the simple and frustrating answer.

I realise I have no choice in this matter and put away my camera. Only when I put away the camera and close my bag does the watchman open the gates and allow me inside. “You can take pictures from outside the gate, if you want to.”

Rudra Mahalaya Temple, Shiva Temple, Sidhpur, Siddhraj Jaisinh, 12th Century, GujaratI just shrug and follow him inside and stop when I reach the temple. And stare at the sight in front of me. Continue reading “The Rudra Mahalaya Temple at Sidhpur”

The grand and empty Vohrawads of Sidhpur

I first heard of Sidhpur about 6 months back when I shamelessly eavesdropped on a conversation while commuting to work by bus. In my defence, the conversation, which was between two women from the Dawoodi Bohra community (as was evident from the colourful ridas they wore) in Gujarati and English, was really loud.

It was an animated conversation in which they spoke about their ancestral homes in Sidhpur and the holidays spent there. They spoke of chandeliers, Belgian glass windows, wooden antique furniture, fine linen, tableware, feasts, parties, and antiques among other things. There was gossip, as well as an element of ‘my-ancestral-house-is-grander-than-your-ancestral-house”, but it seemed to be in good fun.

The “conversation” on ancestral homes in Sidhpur intrigued me to look for more information on the Internet. Thanks to my good friend Google, I found in Sidhpur mansions with distinctive European style architecture, each one grander than the other. This information was enough for me to include a visit to Sidhpur when I toured North Gujarat in December 2014.

It was a little after 4 pm when I arrived at Sidhpur. While asking for directions from a local tea stall, I learnt that the Bohra houses were called Vohrawads and also that I needed to go to the Najampura area, which had the best and maximum number of such houses. A short rickshaw ride later, I was standing in front of the house that you see in the photograph below.

Sidhpur, Vohrawad, Comminity housing, Gujarat
Locally, this mansion is called the “house with 365 windows”

Continue reading “The grand and empty Vohrawads of Sidhpur”

The Sahastralinga Talav, a museum and a conversation

Whenever I visit centuries-old monuments, the one thing that never fails to amaze me is how they were built without machinery of any sort to aid them. I am also struck by how the planners and builders of those times made optimum use of available resources in the absence of technology as we know it today.

A visit to the Sahastralinga Talav at Patan underscored these beliefs of mine. Located a kilometre away from Rani ni Vav, the Talav was one of the many artificial tanks built in Gujarat by Siddharaj Jaisinh (1093-1143 CE), a king from the Solanki Dynasty.

It was past noon when I arrived at the Sahastralinga Talav, after visiting the queen of stepwells. There was no one else at the site apart from a goat-herd and his frisky goats. Even though it was December and winter, it was quite hot and the sunlight very harsh. Due to this, I was initially reluctant to explore further. But I’m glad I did as I would have missed out on exploring a real treasure.

Sahastralinga Talav, Patan, Solanki Dynasty, Gujarat, Water harvesting and water management system Continue reading “The Sahastralinga Talav, a museum and a conversation”

Rani ni Vav: The queen of stepwells

Rani ni Vav, Rani ki Vav, Queen's stepwell, UNESCO World Heritage Site, Incredible India, Gujarat, PatanIt is around 10.30 in the morning when I enter the Rani ni Vav (or the Queen’s Stepwell) complex at Patan. It’s a sunny day with bright blue and cloudless skies.

I take this as an auspicious sign for I have been rather unlucky when it comes to viewing stepwells. Be it at Hampi, Champaner or Lonar, the wells were full of water when I visited them, and I was unable to see the step-like feature of the wells. So keenly aware I am of my ‘luck’ with stepwells that I cannot help asking the person selling entry tickets to the monument, if there is water in the stepwell.

I get the reassuring reply that the water supply dried up a long time back and the step well is completely dry. So it is with a spring in my steps and a smile on my face that I enter the complex. Manicured lawns and well laid out pathways welcome me, and I pass a photo shoot, as well as coy couples hiding behind bushes on my way to the stepwell, which is a short walk from the entrance.

Soon the stepwell is visible or rather a fenced off rise and depression is visible and it is only when I am almost upon it that I see steps descending into the stepwell. I have picked up a booklet from the ticket office on the Rani ni Vav and settle down on the topmost step to read and familiarise myself with the history of the stepwell.

Rani ni Vav, Rani ki Vav, Queen's stepwell, UNESCO World Heritage Site, Incredible India, Gujarat, Patan Continue reading “Rani ni Vav: The queen of stepwells”

Restaurant Review: Rockville Deli

I received an Asus Zenfone 5 for review about 10 days back and I have been testing out its various features, especially the camera. All pictures in this post (except one) have been taken with that phone camera.


It was dusk when I got out of Vashi Railway Station on Wednesday last week. The  weather was as perfect as it can get in my part of the world — not warm, not cold, a slight breeze and a flaming sunset to match. There was a sense of unhurriedness as people made their way out of the station and I was no different.

I was on my way to Rockville Deli to join other Navi Mumbai Foodies for a meal there with the purpose of reviewing it. According to the information sent to me beforehand, Rockville Deli was a “melting pot of global cuisine served in an innovative and alfresco dining”. I’m always intrigued by multi-cuisine restaurants, and couldn’t wait to see what Rockville had to offer that evening.

I was a little early so had the time for a leisurely stroll to the Deli, which was just a short walk away. I passed food stalls with enticing aromas and much as I was tempted to try something, it was Rockville that I quickened my steps towards.

Rockville Deli Vashi, Navi Mumbai Foodies, Restaurant Review, Continue reading “Restaurant Review: Rockville Deli”

Kala Ghoda Arts Festival 2015, KGAF 2015, Mumbai, Iconic Arts Festival

The Kala Ghoda Arts Festival 2015

I received an Asus Zenfone 5 for review just a couple of days before the Kala Ghoda Arts Festival (KGAF) began giving me the perfect opportunity to test out the phone camera, something that is very important for me in a smart phone. Enjoy reading my KGAF post, but do let me know what you think of the photographs too.


Kala Ghoda Arts Festival 2015, KGAF 2015, Mumbai, Iconic Arts FestivalWhen I ended my post on the 2014 edition of the Kala Ghoda Arts Festival (KGAF) last year, it was with mixed feelings. Though I had liked the installation / visual art on display, I hadn’t particularly enjoyed the way the events (or rather the heritage walks I had participated in) had been organised and conducted. I was upset enough to write a post on all that was wrong with the way the heritage walks were organised.

KGAF 2014 had also ended with uncertainty about the 2015 edition of the festival. A Kala Ghoda resident had filed a case complaining about the inconvenience and nuisance caused by the KGAF and the Bombay High Court was considering shifting the venue elsewhere.

Over the last one year, I followed the news on all developments pertaining to the KGAF and read the arguments and the counter arguments, the demands made and the compromises offered… till one day, I saw the announcement for the KGAF 2015. At Rampart Row. And to be held as usual from the first Saturday of February.

That was on 7th February and I visited the KGAF on that very day. And then again on the 8th. Then the 10th, the 12th and finally on the 13th. I went alone and with friends, attended programmes and also met up more friends. Want to see what I did at the KGAF 2015? Read on…

Kala Ghoda Arts Festival 2015, KGAF 2015, Mumbai, Iconic Arts Festival
These colourful ladders were not part of any installation. I just saw them lined up and had to take a photo. Never say no to colour !

Continue reading “The Kala Ghoda Arts Festival 2015”