Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, a background score, etc. That particular piece of music becomes my “now’” song, and the “nowness” (pardon my English here) could be for any length of time.
I watched Piku the other day. Like most people who’ve seen the film, I loved it. However, unlike most people who’ve seen the film, I thought the real star of the movie was its background score. Composed by Anupam Roy and also played on the sarod by him, Piku’s background score is my “now” song.
The score is first heard in the film when the opening credits appear on the screen — white lettering on a black background with the tittle on the ‘i’ appearing in red. Simple and beautiful. (In retrospect, I thought it was the perfect way to listen to the score and not get distracted by any visuals or graphics on-screen.) The background score appears several times in the film sometimes as an interlude, sometimes to underscore a particular emotion, and sometimes as the background score it is meant to be.
Each time this music was played in the film, I would just get lost in the music. And each time a different set of emotions would be invoked, some nostalgic, some bittersweet. Continue reading “My “now” song: Piku’s background score”
It doesn’t take much to trigger off old memories. Take for instance the invitation I received to attend a classical music concert by renowned flautist Milind Date at the Gandharva Mahavidyala, Pune.
The invitation took me back to the time I was studying in Fergusson College (Pune) where Milind and I were batchmates with some common classes and practicals. We were not close friends or belonged to the same ‘group’, but were more of acquaintances with some common friends. All through college, I had no idea of Milind’s music and got to know of it only in my third year of college. How I got to know is a story worth sharing, but I request for a little patience from you.
Milind and I re-connected many years after college when I joined Facebook in 2007 and over the next few years, remained in touch via Facebook. I followed his concert announcements and tours and listened to the snippets that he would share, but never managed to meet him or make it to one of Milind’s live performances. The invitation was a chance to remedy that. 🙂
The invitation was doubly attractive as it was taking place at Gandharva Mahavidyalaya, where I learnt Hindustani Classical music. Every Wednesday morning, for 2 years, I attended vocal music classes before college. I loved everything about my music school — my guruji, the traditional architecture of the school building, the cool whitewashed halls and dhurrie-covered floors, the music rooms lined with tanpuras, sitars, harmoniums and tablas… Those musical mornings were magical and after a world filled with Bihag or Kaafi or Yaman or Patadeep or whatever raga I would be learning at the moment, it would be difficult to concentrate in my college lectures.
In other words, it was musical heaven and one that I had not visited in 22 years. And after I receive the invitation, I could not wait to visit it again after all this time. So that Wednesday in January, I took the afternoon bus to Pune to arrive well in time for the evening concert.
You know that feeling when you are about to meet someone or return to a place after a long time? That feeling of mounting excitement? That’s what I was feeling when I got off the rickshaw and walked towards the entrance to Gandharva Mahavidyalaya.
Continue reading “Of music and memories in Pune: 22 years on”