My “now” song: Piku’s background score

Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, a background score, etc. That particular piece of music becomes my “now’” song, and the “nowness”  (pardon my English here) could be for any length of time.

I watched Piku the other day. Like most people who’ve seen the film, I loved it. However, unlike most people who’ve seen the film, I thought the real star of the movie was its background score. Composed by Anupam Roy and also played on the sarod by him, Piku’s background score is my “now” song.

The score is first heard in the film when the opening credits appear on the screen — white lettering on a black background with the tittle on the ‘i’ appearing in red. Simple and beautiful. (In retrospect, I thought it was the perfect way to listen to the score and not get distracted by any visuals or graphics on-screen.) The background score appears several times in the film sometimes as an interlude, sometimes to underscore a particular emotion, and sometimes as the background score it is meant to be.

Each time this music was played in the film, I would just get lost in the music. And each time a different set of emotions would be invoked, some nostalgic, some bittersweet. Continue reading “My “now” song: Piku’s background score”

My ‘now’ song: Pachelbel’s Canon in D

Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least. I have this with music—it could be a song, an instrumental piece, a jingle, etc. This becomes my ‘now’ song, and the ‘nowness’  (pardon my English here) could be for any length of time.

My ‘now’ song is Johann Pachelbel’s Canon in D and I present 2 versions here. The first version has the Canon being played by 3 violins, as it was originally meant. The second version is an adaptation of the Canon by the London Symphony Orchestra for a full orchestra. Both versions are equally beautiful.

Continue reading “My ‘now’ song: Pachelbel’s Canon in D”