Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music — it could be a song, an instrumental piece, a jingle, etc. That particular piece of music becomes my “now’” song, and the “nowness” (pardon my English here) could be for any length of time.
That day, I was bored and trawling YouTube for some interesting music to listen to, when a suggestion popped up. It was a Coke Studio India session featuring A.R. Rahman and Ustad Ghulam Mustafa. Now, I had not been particularly impressed with Coke Studio India till then. Sure there had been one or two good sessions, but nothing really spectacular like Coke Studio Pakistan has been (some of which I have shared in this series).
I clicked on the link and the music began to the familiar strains of Raga Yaman and then a young boy started to sing, followed by three other men before the chorus joined in to sing Aao, Aao Aao Balma… Three generations of Ghulam Mustafa family singing together. So far so good, I told myself. Nice, but nothing spectacular.
And then at exactly 1.52 minutes something happened. The guitar or rather Prasanna’s guitar came in and the magic began.
Continue reading “My “now” song: Aao balma”
Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least? I have this with music—it could be a song, an instrumental piece, a jingle, etc. This becomes my “now’”song, and the “nowness” (pardon my English here) could be for any length of time.
The music selection blared out by the various pandals at the ongoing 10-day Ganpati festival has not thrown up any surprises. Hindi and Marathi film songs, and film songs from other languages as well; remixed bhajans and aarti songs, and at a pandal near my house some Vishnu Sahasranamam spiced up with some ‘technofied’ beats. But today morning I heard a song that I associate with the Ganpati festivals of my childhood and took me back to the Mumbai of my childhood.
I had just got off at the bus stop near my workplace when I heard the opening strains of “Prathama tula vanditi krupala…”
This song is from the 1979 Marathi film Ashtavinayak and is sung by Vasantrao Deshpande and Anuradha Paudwal. I remember singing this with many others at the pandal near my grandparents’ house at Matunga and enjoying this beautiful melody in Raga Yaman. Even after so many years, I found that the appeal of this song had not diminished as I softly accompanied this song from across the road. I was also surprised to find that I remembered the lyrics as well !
Hope you enjoyed listening to my “now” song 🙂
Do you ever have a song, an idea, a storyline, or an image stuck in your head? And it just refuses to go away? For some time at least. I have this with music—it could be a song, an instrumental piece, a jingle, etc. This becomes my ‘now’ song, and the ‘nowness’ (pardon my English here) could be for any length of time.
My now song is “Jithe sagara”, a Marathi film song based on Raga Yaman.
I am in the mood for Raga Yaman—though not something from either Hindustani or Karnatic repertoire. I want it to be mellow and frothy and simple and nuanced at the same time. In other words, I want to listen to a film song.
My “now” song, which is a Marathi film song, illustrates this evergreen raga and my requirements beautifully. Jithe sagara dharani milte, which can be loosely translated as ‘the place where the sea and the earth meet’ or in other words the horizon, was composed by Vasant Prabhu and sung by Suman Kalyanpur.
In my opinion, this is one of the best examples of Yaman from Indian film music. Enjoy 🙂