I first heard about Mahabalipuram in a chapter of my Class 8 or 9 Hindi textbook. While I don’t remember who the author of that piece was, I do remember that it was about the ruminations of a sculptor who wondered about the glorious temple ruins by the sea-shore and how they came to be.
Though the chapter didn’t mention Mahabalipuram as the place the sculptor was talking about, my Hindi teacher said that is where the story was based. He also elaborated a bit on the history of Mahabalipuram and that had me hooked. My young and impressionable teenaged mind found the description of a bygone era and the desolation of temple ruins by the sea-shore very romantic.
The visual stayed with me through school, college, university… till I actually visited Mahabalipuram in 1996. This was in the summer of that year and the heat and tourist hordes dispelled any romantic notion I had about Mahabalipuram. But the monuments left an impression on me — enough to make me want to re-visit it.
It took me almost 20 years visit Mahabalipuram again.
“Lets go for a walk. You can see a different side of Mumbai that way,” I said to a friend who was visiting Mumbai from Delhi on work and wanted to experience the city in a zara hatke way.
“A walk? In Mumbai?,” she asked incredulously.
“Of course,” I replied.
She laughed herself silly over my suggestion and then asked, “But where is the space to walk in this city? And what about the weather, the crowds, the traffic, the pollution, etc.?”
“The weather is not too bad in Mumbai now. Besides, if we go for a walk on a Sunday, the crowds, the traffic and the pollution will be manageable,” I responded.
“Er… what is there to see in Mumbai, apart from the not-so-clean beaches, the Marine Drive, the Siddhi Vinayak Temple, the Haji Ali Dargah, and houses of film stars?” she asked a little too politely.
Since this was the first time that my friend was visiting Mumbai, and was only repeating what she had heard from others, I guess she could be forgiven. But still, it was a matter of pride for me to present my city to a visitor in a way that only an insider can. “You and I are going for a walk this Sunday. No ifs and buts or whats and wheres. No arguments. Meet me outside Platform 1 at CST station at 8.00 am. And try not to be late, will you?”
The front façade of the UNESCO World Heritage site and Central Railway Headquarters, Chhatrapati Shivaji Terminus
Once upon a time there was a prince. He wasn’t particularly a happy prince or, for that matter, an unhappy prince; but he was an ambitious prince. He wanted to be remembered for posterity for his conquests, and his rule. The prince wanted to be like his grandfather, who had founded a great city and named it after himself. But the prince had to first become the king. And one day, he became the king.
Detail of a window at the Jami Masjid
The prince, now the king, set his eyes on a neighbouring kingdom, which was very well fortified and was known to have an impregnable defence system. The king’s advisers and soldiers urged him to consider some other kingdom to conquer.
But he declined; it had to be this kingdom. The king’s strategy was not to engage in a battle or a war; he captured the lower fortifications of this hilly kingdom, and then laid siege to it and cut off supplies.
Cloisters of the Jami Masjid
The kingdom’s ruler was amused and offered the king money, women, and jewels, but the king was not enticed. He was firm about his intentions—he wanted the kingdom. Nothing else. To show that he meant business, the king laid the foundations for his palace and a place of worship for his soldiers just outside the fortifications and at the base of this hilly kingdom.
“I couldn’t tear myself away from the image of the Maheshmurti. It was so beautiful. So mesmerising. Elephanta was so nice,” gushed Iskra, an exchange student from Bulgaria.
I listened to Iskra’s description of her visit to Elephanta Caves with part fascination and part envy. The reason? In spite of having lived in Mumbai for nearly 23 years, I had never been to the Elephanta Caves. Listening to Iskra, and that too a foreigner, rave about them needled me into resolving to visit the caves at the earliest opportunity.
And would you believe it? The opportunity presented itself to me the very next day, almost as if it was just waiting for me to make up my mind. My Facebook wall announced that Girls on the Go (GOTG), a women’s only travel club, was conducting a guided day trip to the Elephanta Caves on 13 March 2011. Would I be interested? Not one to let go of an opportunity like this, I signed up for the trip within seconds of seeing the intimation. 😀
Gateway of India
So, on D-Day, I was at the Gateway of India much before the reporting time of 7.45 am. While waiting for Piya Bose, the founder of GOTG, and the rest of the group to assemble, I tried to recall what I knew about the Caves. They were … um… really old rock-cut caves, were located in Elephanta Island some distance away from Mumbai, could be accessed only by boat, and was a UNESCO World Heritage Site. In short, I knew nothing about the Caves. Of course, by the time the tour got over I was a little wiser thanks to Lakshmi Kishore, our guide, and a booklet on the Elephanta Caves that I purchased from the ticket office.
Elephanta Island has traces of habitation from 2nd century BC in the form of remains of a Buddhist stupa, reportedly built by Emperor Ashoka himself. But what the Island is really famous for are 7 rock-cut caves, whose age is not well established due to absence of written records. Various theories exist as to the age of the caves as well as to who built them, and according to the Archaeological Society of India’s (ASI) booklet, the caves were excavated during the middle of the 6th century, during the rule of the Konkan Mauryas.
Locally, Elephanta Island is known as Gharpuri and is located about 11 km from Mumbai. It was called Elephanta by the Portuguese, who found a stone statue of an elephant at one of the entry points to the Island. Though they tried their best to destroy the statue, they only succeeded in severely damaging it and today the restored elephant is installed at the Bhau Daji Lad Museum in Mumbai.
Aquatint of the Stone Elephant by Thomas Daniell and William Daniell, 1786. Photo Courtesy: Elephanta by George Michell
Royal Hampi is almost synonymous with Krishna Deva Raya, Vijayanagara Empire‘s best known king, who ruled from 1509–1529. Though there were many kings before him and a few after, most people associate everything with the Empire to Krishna Deva Raya. Lokesh, our local tour guide, was no exception—after a general introduction to Hampi and the Vijayanagara Empire, all his stories began and ended with Krishna Deva Raya!
Royal Hampi is instantly distinguishable from the other ruins at Hampi, largely due the different design elements used (for example, the Indo-Islamic architectural style of the Queen’s Bath), the delicate embellishment (for example, the Lotus Mahal), and of course, the royal size (for example, the Mahanavami Dibba).
When our group disembarked at the Royal Enclosure from our vehicles, I don’t think many of us were sure as to what we were going to see beyond a high wall in front of us and some large blocks of stones lying here and there. As our group gathered around Lokesh for his orientation talk to the Royal Enclosure, none of us paid much attention to those blocks of stones. I was too busy looking around here, there, everywhere—except at my feet, which were just inches away from the massive “block of stone” shown in the picture below.
My Favourite Things 