Stories in Stone is all about sculptures — either standalone or entire narrative panels. Each post in this series will showcase one such sculpture, look beyond its iconography and deconstruct the details in an attempt to understand the idea and/or the story it conveys.
The UNESCO world heritage site of Mahabalipuram or Mamallapuram is extraordinary for the sheer number and variety of monuments, as well as their scale and design. Rock-cut temples, structural temples, relief panels and more vie for attention, each one more captivating than the rest. Though a fair number of the monuments are incomplete or unfinished and weathered, their beauty is not diminished.
The monuments at Mahabalipuram have been the subject of many a study, but none more so than a large relief panel carved on a granite cliff. It is a panel that has led to debates and divisions among art historians over what it depicts or denotes or refers to — Arjuna’s Penance or the Descent of Ganga 
Before I narrate their stories and discuss why the panel could be one or both or maybe neither, let us take a close look at the various elements that make up this panel. A real close look beginning with photograph below (please click on the picture to see a full size version).
I first heard about Mahabalipuram in a chapter of my Class 8 or 9 Hindi textbook. While I don’t remember who the author of that piece was, I do remember that it was about the ruminations of a sculptor who wondered about the glorious temple ruins by the sea-shore and how they came to be.
Though the chapter didn’t mention Mahabalipuram as the place the sculptor was talking about, my Hindi teacher said that is where the story was based. He also elaborated a bit on the history of Mahabalipuram and that had me hooked. My young and impressionable teenaged mind found the description of a bygone era and the desolation of temple ruins by the sea-shore very romantic.
The visual stayed with me through school, college, university… till I actually visited Mahabalipuram in 1996. This was in the summer of that year and the heat and tourist hordes dispelled any romantic notion I had about Mahabalipuram. But the monuments left an impression on me — enough to make me want to re-visit it.
It took me almost 20 years visit Mahabalipuram again.