When we arrived at the Rao Madho Singh Trust Museum in Kota on that November morning last year, I was taken aback to see the freshly whitewashed exteriors of the Museum building. I mean, why would a red sandstone structure be whitewashed over? The white is so blinding in the mid-morning sunlight that I had to shade my eyes to even look at it.
The Museum is located within the historic Kota City Palace or Kota Garh complex, which consists of many buildings, but none of the other buildings in the palace complex were whitewashed. In fact, the building next to the Museum has been spared the whitewash (except for the domes) and I was able to admire the intricate stone jaalis or lattice-work that covered the entire structure.
The building with the jaalis, however, was not open to the public, making me wonder if the whitewash was for the benefit of the visitors to the Museum, who (according to the website) visit it see its
rich collections of arms and armour, royal regalia and ritual paraphernalia, textiles and objets d’art, and world-famous miniature paintings and wall frescos.
As our group was entering the Museum, there was a moment of panic where I wondered if the interiors of the Museum have been whitewashed over as well, obliterating the wall paintings that I was most keen to see. But then just past the Elephant Gate (see header), I looked up and saw a gloriously painted ceiling (see photograph below) and I knew that all was well.
“So, what are your planning to do in Kota?” asked Mahijit ji, my host in Jhalawar, over dinner on the eve of our departure for Kota.
Nothing,” I replied. “We (my friend and fellow traveller Niti & I) and reach Kota in the evening and leave for Bundi the next morning.”
“Oh, but you can’t leave Kota without going for a Chambal River Safari. It’s a morning safari, and I know just the person who can take you on it. Surely you can leave for Bundi after that?”
We said that we didn’t even know that there was something like a river safari being conducted from Kota. That’s when we heard about Ravinder Singh Tomar, nature and wildlife photographer, and the man behind the Chambal River Safari. A phone call to him later, we were booked on a 2-hour Chambal River Safari with instructions to meet him at the boating pier of Chambal Gardens in Kota from where the safari commenced.
When we reached the pier, the first thing I saw noticed was not the broad expanse of the river, but this industrial unit belching out smoke — not a very encouraging introduction to the Chambal River Safari! Our motor boat was waiting and after boarding and settling down, which hardly took a few minutes, we set off with our guide, Ravinder Singh Tomar, telling us all about the river, its history and its ecosystem.
Have you been to Kota before, asks Manoj, our driver, as he is dropping us off at our hotel there. It is late in the afternoon and we have just arrived in Kota, the second leg of our Hadoti trip.
Not me, I say. Not me either, says, Niti, my friend and fellow traveller.
Then you wouldn’t be knowing anything about the city, I guess he says. We shake our heads in unison.
Then allow me to take you to a very special place in Kota later in the evening. I’m sure you wouldn’t have seen anything like that before. We happily agree to this suggestion. When we leave, it is past sunset and it is turning dark rapidly. There’s a delicious chill in the air and I’m looking forward to the evening.
A short drive later we are at a vast lake shimmering in the light reflected on the opposite bank. Manoj asks us to look around and tell him if we can guess what is it that we have come to see. I take a good look around and can’t see anything except for an unlit structure that seems to be floating in the lake.
This is the Kishore Sagar Lake and that unlit building is the Jagmandir Palace, says Manoj. But what you are going to see is across the lake. Take a guess.
Initially I can’t make out anything, till my eyes lock in on a pyramidal structure and then a tall tower. I can’t believe my eyes. Is that an Egyptian pyramid and that tall thing the Eiffel Tower?
Manoj beams in answer and says that there are more at the 7 Wonders Park of Kota and that is where we were headed to. 10 minutes later we were inside the 7 Wonders Park and getting our first sight of scaled down replicas of seven modern wonders.
It was supposed to be just a visit to the ruins of the Bhand Devra or Bhand Deora Temple, a 10th century CE temple enroute to Kota from Jhalawar. My friend Shubhra aka Historywali had told me that this was a place I should not miss, especially since I would be in the area. Little did I know it would turn out to be much more than just a visit to a temple ruin.
The day had begun with us (my friend Niti and I) bidding goodbye to Jhalawar and our fabulous host, Mahijit ji, before setting off on a 2.5-hour journey by road to the temple. Though Manoj, our car driver, wasn’t sure of the temple’s exact location, he knew the area and assured us that he would get us to the temple. All we had to do was to sit back and enjoy the drive that initially passed though a hilly and forested section, before the landscape flattened out.
About 2 hours into the journey, we saw a strange, flat-topped elevation rising in the distance. On asking Manoj if he knew anything about it, he just shrugged and said that it was a hill and the Bhand Devra Temple was close to it. I was intrigued for the hill didn’t look like any that I had seen before and I decided to check Google Maps to see if it could tell me what it was.
What came up had me rubbing my eyes in disbelief; Niti’s reaction was no different. We were looking at (see the screenshot I took below) what appeared to be a hollow hill or a a crater. An impact crater.
It is about half past three in the afternoon and my friend Niti and I have been walking through and exploring the UNESCO World Heritage Site of Gagron Fort at Jhalawar, Rajasthan. We have been at the Fort for the last 2 hours or so and leisurely exploration has been all about trying to understand the Fort’s layout, extent and get a feel of its past.
We take paths leading off tantalisingly into various parts of the Fort. We stop regularly to peer into what looks like half-finished structures, but realise that they are attempts to ‘renovate/restore’ them. We peer over the massive fort walls and rear back in alarm at the sheer drop. We also notice the fascinating rock formations around and see the river flowing silently by.
All through this, we have no clue as to what we are seeing for there are no signboards to indicate where we are within the Fort or what we are seeing. Niti and I have fun speculating what each building could have been — armoury, palace, stables, public hall, temple, etc. But the November afternoon sun is harsh and we are beginning to tire.
We almost decide to turn back when we see steps leading to a doorway in the fort wall and decide to explore that and before heading back.
…later, it’s that time of the year again. That time when I write the annual blog anniversary post, a report card of the blogging year gone by. Every anniversary post is as much about acknowledging a personal milestone, as it is about taking stock and the 7th blog anniversary post is going to be no different.
Every blogging year has been unique with its own set of highs and lows, challenges and surprises, achievements and lessons learnt, etc. The 7th year of blogging has been no different and yet, it stands apart from the previous years of blogging.
I know, I tell that every blog anniversary post. But, believe me, the 7th year of blogging has been different in a very unique way. It has brought me back to the beginning of the blogging journey I embarked on this day in 2010.
In other words, I have come a full circle, back to where I began 7 years later. Let me elaborate.